A sharp, viciously funny, and emotionally bruising period satire that turns imperial Russia into a modern-feeling battlefield of ego, sex, power, and survival. It is especially rewarding if you like lavish production design, fast dialogue, and a show that swings between absurd comedy and genuine tragedy.
The Great
Where to watch: Buy
TV Show · Drama · Comedy
Fri
Created by: Tony McNamara
Starring: Elle Fanning, Nicholas Hoult, Phoebe Fox
Overview
A genre-bending, anti-historical ride through 18th century Russia following the rise of Catherine the Nothing to Catherine the Great and her explosive relationship with husband Peter, the emperor of Russia.
Created by
Tony McNamara
Cast
Elle Fanning, Nicholas Hoult, Phoebe Fox, Gwilym Lee, Adam Godley, Douglas Hodge, Belinda Bromilow, Bayo Gbadamosi
Curator Review
Verdict
A sharp, viciously funny, and emotionally bruising period satire that turns imperial Russia into a modern-feeling battlefield of ego, sex, power, and survival. It is especially rewarding if you like lavish production design, fast dialogue, and a show that swings between absurd comedy and genuine tragedy.
Best for
Viewers who enjoy dark, irreverent historical satire
Fans of sharp, dialogue-driven ensemble dramedies
People who like prestige shows with strong visual style and big performances
Viewers comfortable with tonal whiplash between comedy and cruelty
Skip if
You want strict historical accuracy
You prefer grounded, low-key period drama
You dislike cruelty, sexual politics, or constant power games
You want a show with a complete ending and no cancellation risk
Overview
The Great is one of the more distinctive period series of the last decade: knowingly anachronistic, gleefully profane, and often much sadder than its comic surface suggests. It uses Catherine and Peter’s marriage as a weaponized rom-com, then keeps widening the frame until the palace feels like a pressure cooker of vanity, ambition, and emotional damage.
Worth noting
The show’s biggest strength is its tone. Tony McNamara’s writing can be blistering, and Elle Fanning and Nicholas Hoult make the central relationship feel both ridiculous and genuinely dangerous. The costumes, sets, and visual flourishes are sumptuous, but the series is never just decorative; it’s always using style to underline the absurdity of power.
Bottom line
Season 1 is the cleanest entry point and the most immediately addictive. Season 2 deepens the emotional stakes and broadens the court politics, while Season 3 remains worthwhile but lands with the weight of a series that knows it may not get a tidy ending. Even so, it remains a very easy recommendation for viewers who like their history loud, nasty, and smart.
Less comic, but similarly strong on institutional power, private misery, and the cost of rule.
Themes
power and corruption, marriage as warfare, female ambition, court politics, class and hierarchy, sexual politics, identity and self-invention, satire of empire
Topics
historical satire, dark comedy, period drama, prestige TV, court intrigue, anti-historical, bingeable, tonal blend, 18th century, female-led