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The Great

A sharp, viciously funny, and emotionally bruising period satire that turns imperial Russia into a modern-feeling battlefield of ego, sex, power, and survival. It is especially rewarding if you like lavish production design, fast dialogue, and a show that swings between absurd comedy and genuine tragedy.

The Great

Where to watch: Buy

TV Show · Drama · Comedy

Fri

Created by: Tony McNamara

Starring: Elle Fanning, Nicholas Hoult, Phoebe Fox

Overview

A genre-bending, anti-historical ride through 18th century Russia following the rise of Catherine the Nothing to Catherine the Great and her explosive relationship with husband Peter, the emperor of Russia.

Created by

Tony McNamara

Cast

Elle Fanning, Nicholas Hoult, Phoebe Fox, Gwilym Lee, Adam Godley, Douglas Hodge, Belinda Bromilow, Bayo Gbadamosi

Curator Review

Verdict

A sharp, viciously funny, and emotionally bruising period satire that turns imperial Russia into a modern-feeling battlefield of ego, sex, power, and survival. It is especially rewarding if you like lavish production design, fast dialogue, and a show that swings between absurd comedy and genuine tragedy.

Best for

  • Viewers who enjoy dark, irreverent historical satire
  • Fans of sharp, dialogue-driven ensemble dramedies
  • People who like prestige shows with strong visual style and big performances
  • Viewers comfortable with tonal whiplash between comedy and cruelty

Skip if

  • You want strict historical accuracy
  • You prefer grounded, low-key period drama
  • You dislike cruelty, sexual politics, or constant power games
  • You want a show with a complete ending and no cancellation risk

Overview

The Great is one of the more distinctive period series of the last decade: knowingly anachronistic, gleefully profane, and often much sadder than its comic surface suggests. It uses Catherine and Peter’s marriage as a weaponized rom-com, then keeps widening the frame until the palace feels like a pressure cooker of vanity, ambition, and emotional damage.

Worth noting

The show’s biggest strength is its tone. Tony McNamara’s writing can be blistering, and Elle Fanning and Nicholas Hoult make the central relationship feel both ridiculous and genuinely dangerous. The costumes, sets, and visual flourishes are sumptuous, but the series is never just decorative; it’s always using style to underline the absurdity of power.

Bottom line

Season 1 is the cleanest entry point and the most immediately addictive. Season 2 deepens the emotional stakes and broadens the court politics, while Season 3 remains worthwhile but lands with the weight of a series that knows it may not get a tidy ending. Even so, it remains a very easy recommendation for viewers who like their history loud, nasty, and smart.

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Themes

power and corruption, marriage as warfare, female ambition, court politics, class and hierarchy, sexual politics, identity and self-invention, satire of empire

Topics

historical satire, dark comedy, period drama, prestige TV, court intrigue, anti-historical, bingeable, tonal blend, 18th century, female-led

Open The Great (Fri ) on Curator TV