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The Philadelphia Story

A sparkling, high-wire romantic comedy of manners with immaculate star chemistry, razor dialogue, and a surprisingly sharp look at class, image, and self-knowledge. Its ending can feel of its era, but the wit, pace, and performances make it essential classic Hollywood viewing.

The Philadelphia Story

Where to watch: Buy

Movie · Comedy · Romance

Thu · 1h 53m

Director: George Cukor

Starring: Cary Grant, Katharine Hepburn, James Stewart

Overview

When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.

Director

George Cukor

Cast

Cary Grant, Katharine Hepburn, James Stewart

Curator Review

Verdict

A sparkling, high-wire romantic comedy of manners with immaculate star chemistry, razor dialogue, and a surprisingly sharp look at class, image, and self-knowledge. Its ending can feel of its era, but the wit, pace, and performances make it essential classic Hollywood viewing.

Best for

  • fans of screwball comedy and sophisticated repartee
  • viewers who enjoy love triangles with emotional and comic tension
  • classic Hollywood fans
  • people interested in strong star performances and chemistry
  • audiences who like elegant, high-society settings with bite

Skip if

  • you dislike old-fashioned gender politics
  • you need modern pacing or contemporary humor
  • you prefer low-key realism over heightened wit
  • you are not in the mood for privileged-people romantic chaos

Overview

The Philadelphia Story is one of the great American comedies of manners: polished, fast, and full of people who are smarter, funnier, and more self-deluded than they realize. George Cukor stages the whole thing like a social duel, and the movie keeps finding new ways to turn flirtation, embarrassment, and class anxiety into entertainment.

Worth noting

Katharine Hepburn is perfectly calibrated as a woman whose poise hides a lot of vulnerability, while Cary Grant and James Stewart give the film two very different kinds of masculine charm. The dialogue crackles, the entrances and exits are beautifully timed, and the movie understands that romance is often just another form of performance.

Bottom line

The ending may leave some viewers cold, especially if they want the film to fully modernize its emotional politics. But even when it lands in a place that feels conservative, the movie remains too witty, too alive, and too expertly made to dismiss. It’s a classic for a reason.

Top Letterboxd reviews

sarah (3.5★) · 4673 likes

i don't know how or why, but i feel like all the characters' problems would be solved if cary grant, katharine hepburn, and james stewart had a threesome..... just a thought

mia lee vicino (4.5★) · 2631 likes

cary grant perched on the edge of the fountain, greeting everyone with a scathingly simple “Hello, friends and enemies” … ok ME when i log into this app !

Patrick Willems (4.5★) · 2197 likes

This is like the 1992 U.S. Olympic basketball team of movies

joezobel (2.5★) · 2172 likes

I was liking this until the ending, which I found problematic and completely recontextualized what I thought the movie was trying to say. So, what exactly is the message of this movie supposed to be? That you should submit to your wife beater drunk of a husband, and if you don't you're a spoiled, egomaniacal ice queen? Cary Grant spends the whole movie telling Hepburn that she's a cold hearted bitch and blaming her for his drinking problem, and yet… more

lucy (4★) · 2072 likes

jimmy stewart singing somewhere over the rainbow is something i didn't know i needed

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Themes

romantic comedy, screwball, class and privilege, self-discovery, love triangle, marriage and divorce, social performance, gender roles

Topics

screwball comedy, romantic triangle, class satire, witty dialogue, old Hollywood, high society, marriage, self-discovery, gender politics, classic romance

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