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The Boy and the Heron

A deeply personal, visually inventive fantasy about grief, memory, and letting go, with the kind of dream logic and emotional weight that makes Miyazaki’s late work feel both playful and devastating. It can be elusive, but the imagery, craft, and sincerity make it a standout theatrical experience.

The Boy and the Heron

Where to watch: Buy

Movie · Animation · Fantasy

Fri · 2h 4m

Director: Hayao Miyazaki

Starring: Soma Santoki, Masaki Suda, Ko Shibasaki

Overview

While the Second World War rages, the teenage Mahito, haunted by his mother's tragic death, is relocated from Tokyo to the serene rural home of his new stepmother Natsuko, a woman who bears a striking resemblance to the boy's mother. As he tries to adjust, this strange new world grows even stranger following the appearance of a persistent gray heron, who perplexes and bedevils Mahito, dubbing him the "long-awaited one."

Director

Hayao Miyazaki

Cast

Soma Santoki, Masaki Suda, Ko Shibasaki

Curator Review

Verdict

A deeply personal, visually inventive fantasy about grief, memory, and letting go, with the kind of dream logic and emotional weight that makes Miyazaki’s late work feel both playful and devastating. It can be elusive, but the imagery, craft, and sincerity make it a standout theatrical experience.

Best for

  • Viewers who like poetic, symbolic fantasy
  • Fans of hand-drawn animation and meticulous world-building
  • People drawn to stories about grief, family, and growing up
  • Audiences comfortable with ambiguity and dreamlike storytelling

Skip if

  • You want a tightly plotted, clearly explained fantasy
  • You prefer fast-paced adventure over reflective mood
  • You dislike surreal symbolism or narrative digressions
  • You’re looking for light, uncomplicated family entertainment

Overview

The Boy and the Heron is less interested in straightforward plotting than in emotional weather: mourning, guilt, memory, and the uneasy work of moving forward. Miyazaki turns those feelings into a shifting fantasy landscape that is funny, eerie, and often breathtakingly beautiful. Even when the film seems to wander, it is usually circling something intimate and true.

Worth noting

What makes it resonate is the balance between wonder and ache. The movie’s creatures, rooms, and impossible spaces feel handmade in the best sense, full of tactile detail and symbolic charge. It can be opaque on first viewing, but the emotional line is clear enough to carry you through.

Bottom line

This is a late-career work with the feeling of an artist taking stock of his life, his fears, and the stories he still needs to tell. For viewers open to a meditative fantasy that rewards patience and attention, it’s one of the year’s most memorable theatrical releases.

Top Letterboxd reviews

blurayangel (4★) · 20333 likes

If my dad married my mom’s younger sister I’d probably be pissed too.

Sam B. · 18026 likes

Miyazaki is so fucking sad that his son can’t draw bro

Framesofnick (4.5★) · 15237 likes

You can sit and ponder the very nature of existence and grief. Juggling the choice of letting go or staying. Asking yourself if you really had enough time with someone you love before that time runs out. Or you can crank 90’s and build a block tower

Joe A (5★) · 13949 likes

Forgetting is normal. There’s this obsession that we need to remember it all— to the point where we are practically vilified for forgetting and moving on. It’s unrealistic, but more importantly, unfair. Mahito shouldn’t feel guilty, neither should we. It’s an even more poignant message considering it’s coming from a master reaching the end of his career. The Miyazaki x Hisaishi combo shatters me every single time but I wouldn’t have it any other way (I’ll send them my therapy bill though).

Ali (3.5★) · 13174 likes

im sure there is a profound deeper meaning to this but all i can think about is how much Miyazaki hates birds. Like they even got Parakeet Hitler in this. Miyazaki is cooking on some grade A bird hater shit in this. gotta respect it. i got chased by a turkey once and I don’t harbor even half the bird hate that’s present in this movie. Like fr what’s parakeet hitler doing here. Fuck that turkey though. Some birds are

Themes

grief and mourning, memory and forgetting, coming of age, family loss and inheritance, dream logic, alternate worlds, war-era displacement, self-discovery

Topics

animated fantasy, coming-of-age, surreal imagery, emotional drama, dreamlike, hand-drawn animation, grief, war-era setting, philosophical, Japanese cinema

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