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Sirāt

A tense, sensory road movie that turns a search mission into a punishing spiritual ordeal. It’s best approached as an atmosphere-first thriller: hypnotic, abrasive, and emotionally devastating rather than plot-driven.

Sirāt

Where to watch: Buy

Movie · Drama · Thriller

Fri · 1h 55m

Director: Oliver Laxe

Starring: Sergi López, Bruno Núñez, Stefania Gadda

Overview

A man and his son arrive at a rave lost in the mountains of Morocco. They are looking for Marina, their daughter and sister, who disappeared months ago at another rave. Driven by fate, they decide to follow a group of ravers in search of one last party, in hopes Marina will be there.

Director

Oliver Laxe

Cast

Sergi López, Bruno Núñez, Stefania Gadda

Curator Review

Verdict

A tense, sensory road movie that turns a search mission into a punishing spiritual ordeal. It’s best approached as an atmosphere-first thriller: hypnotic, abrasive, and emotionally devastating rather than plot-driven.

Best for

  • Viewers who like immersive, sensory filmmaking
  • Fans of apocalyptic or survival-adjacent thrillers
  • People drawn to rave culture, desert settings, and trance-like sound design
  • Audiences open to ambiguous, symbolic storytelling

Skip if

  • You want a tightly scripted, conventional thriller
  • You need clear exposition and tidy plot resolution
  • You dislike slow-burn films that become increasingly harsh
  • You prefer character-driven drama with extensive backstory

Overview

Sirāt is the kind of film that starts as a search and gradually becomes a trial. Oliver Laxe uses the desert, the music, and the movement of bodies to create a trance state that feels both ecstatic and ominous, with the rave setting becoming less a backdrop than a spiritual and physical test.

Worth noting

What makes it linger is the way it fuses grief, dread, and transcendence. The story is spare by design, and that spareness can feel either profound or withholding depending on your tolerance for abstraction. But the film’s sound, landscape, and escalating unease are undeniable, and the final stretch lands with real force.

Bottom line

This is not a crowd-pleasing thriller in the usual sense. It’s a severe, beautifully controlled descent that rewards viewers who like cinema to operate on mood, sensation, and metaphor as much as narrative logic.

Top Letterboxd reviews

Kylo (4★) · 8351 likes

The amount of anxiety I had for the dogs in this movie.

Pablo Caldera (0.5★) · 7184 likes

«Hacia el sur, cerca de Mauritania» Esta frase que se dice en Sirāt es una de las pocas indicaciones espaciales de toda la película. Está bien escogida, porque esconde todo un complejo geopolítico: Marruecos no tiene frontera con Mauritania, y es imposible que Laxe, que ya va por su tercera cinta rodada allí, no lo sepa. Solo si asumes que los territorios ocupados del Sahara Occidental (antigua colonia española que en 1975 fue abandonada a su suerte por la potencia… more

joereid (4★) · 7162 likes

Really thought it was gonna end with everyone dancing in the desert. I really did.

Kit Lazer (3.5★) · 7086 likes

This was like super chill and then ruined my life.

davidehrlich (4★) · 5959 likes

and that's why i don't go to raves.

Themes

grief, search for a missing loved one, desert odyssey, rave culture, spiritual ordeal, survival, parent-child bond, loss and transcendence

Topics

thriller, drama, desert, rave culture, survival, grief, art-house, psychological tension, sound design, road movie

Open Sirāt (Fri ) on Curator TV