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Scarface

A ferocious early gangster classic that still feels fast, funny, and shockingly violent. Its power comes from Howard Hawks’ brisk staging, Paul Muni’s manic energy, and the movie’s unsentimental look at ambition, masculinity, and organized crime as a corrupting American myth.

Scarface

Where to watch: Buy

Movie · Crime · Action

Sat · 1h 33m

Director: Howard Hawks

Starring: Paul Muni, Ann Dvorak, Karen Morley

Overview

In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.

Director

Howard Hawks

Cast

Paul Muni, Ann Dvorak, Karen Morley

Curator Review

Verdict

A ferocious early gangster classic that still feels fast, funny, and shockingly violent. Its power comes from Howard Hawks’ brisk staging, Paul Muni’s manic energy, and the movie’s unsentimental look at ambition, masculinity, and organized crime as a corrupting American myth.

Best for

  • gangster-film fans
  • viewers interested in pre-Code Hollywood
  • fans of lean, propulsive crime dramas
  • people curious about the roots of the modern mob movie
  • audiences who like stylized violence with dark humor

Skip if

  • you want a contemporary pacing style
  • you dislike older black-and-white films
  • you need deep psychological realism over archetypal crime drama
  • you are looking for a redemption-focused crime story

Overview

Howard Hawks turns a prohibition-era mob tale into something lean, savage, and strangely playful. The movie moves with real velocity, stacking shootouts, betrayals, and power grabs until the whole thing feels like a criminal fever dream. Even nearly a century later, its energy is startling.

Worth noting

What makes it endure is not just the violence, but the attitude behind it. Tony Camonte is less a tragic antihero than a gleeful engine of appetite, and the film understands how seductive that kind of unchecked ambition can be. It’s a gangster picture, but also a sharp study of American excess and masculine performance.

Bottom line

The style is crisp, the dialogue is sharp, and the set pieces have a blunt force that still lands. If you care about the evolution of crime cinema, this is foundational viewing; if you just want a hard-charging old movie that absolutely rips, it delivers that too.

Top Letterboxd reviews

san (3.5★) · 2026 likes

this was good and all but al pacino wasn’t that good. i mean, you barely see him in this movie. his performance was so forgettable honestly where even was he?

Josh Lewis (4★) · 1312 likes

All the shooting. I love that stuff, you know, the killing. Lotta killing.

SilentDawn (4★) · 737 likes

78 Basically a supercut of tommy guns and wild gangster behavior. This is almost 90 years old and it absolutely rips.

Filipe Furtado (5★) · 579 likes

Anarchic death run. A movie of pure animal feeling. While DePalna's gangster wants the material goods US promised him, Hawks really only wants the satisfication of knowing he has power over every other man. The movie slapstick qualities are its hidden weapon, a true shotgun farce. Has anyone ever seen as happy in a movie than Paul Muni when he gets that big gun? A little kid that knows exactly what he wants, kill people until he eventually will get

noen (4★) · 416 likes

A criticism of the Prohibition-Era America that can still be considered today, a film that emerges the reflection of a time when organized crime flourished at absurd levels, fueled by the contradictions of a society that criminalizes consumption, but glorifies excess. The protagonist is both a product and a perpetrator of this chaos. His ambition is intoxicating yet corrosive, a symbol of the seductive fascination of the unchecked ego. The film situates him not as an anomaly but as an… more

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Themes

organized crime, ambition, American Dream corruption, masculinity, violence, power and status, family loyalty, prohibition-era corruption

Topics

gangster classic, pre-Code Hollywood, black-and-white, prohibition era, violent crime, American Dream, masculinity, crime drama, stylized violence, classic studio era

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