A flamboyant, emotionally candid jukebox biopic that turns Elton John’s rise, self-destruction, and recovery into a full-throttle pop spectacle. It’s more stylized and self-aware than the average music biopic, with strong performances and a willingness to use fantasy to express pain, desire, and reinvention.
Rocketman
Where to watch: Buy
Movie · Music · Drama
Fri · 2h 1m
Director: Dexter Fletcher
Starring: Taron Egerton, Jamie Bell, Richard Madden
Overview
The story of Elton John's life, from his years as a prodigy at the Royal Academy of Music through his influential and enduring musical partnership with Bernie Taupin.
Director
Dexter Fletcher
Cast
Taron Egerton, Jamie Bell, Richard Madden
Curator Review
Verdict
A flamboyant, emotionally candid jukebox biopic that turns Elton John’s rise, self-destruction, and recovery into a full-throttle pop spectacle. It’s more stylized and self-aware than the average music biopic, with strong performances and a willingness to use fantasy to express pain, desire, and reinvention.
Best for
fans of music biopics that feel more like pop musicals than prestige dramas
viewers who want a glossy but emotionally bruised celebrity rise-and-fall story
audiences interested in queer-coded or openly queer pop icon narratives
people who liked energetic, performance-driven biographical films
Skip if
you want a strictly factual, sober biography
you dislike jukebox musicals or heightened fantasy sequences
you prefer understated acting and naturalistic storytelling
you are tired of the familiar rise-fall-recovery structure
Overview
Rocketman takes a familiar celebrity biography and gives it a theatrical pulse. Instead of pretending to be objective, it leans into performance, memory, and emotional exaggeration, which makes Elton John’s story feel vivid rather than dutiful. The result is a film that is often more alive than most music biopics, even when it follows a recognizable arc.
Worth noting
Taron Egerton is the engine here, delivering a committed, physical, and surprisingly vulnerable performance that sells both the swagger and the self-destruction. The film is strongest when it lets the songs function as emotional shorthand, turning concerts, fantasies, and breakdowns into expressive set pieces. It’s glossy, but not empty; the sadness underneath the sequins is the point.
Bottom line
It does soften some edges and occasionally feels like it’s moving through the life story at a crowd-pleasing pace, but the style is the selling point. If you want a biopic that behaves like a musical and understands the loneliness inside the spectacle, this lands well.
Top Letterboxd reviews
Vivian (4★) · 9549 likes
imagine you’re gay and you’re kinda into this guy and you go to kiss him and he’s like stop m8 I luv ya but not like that and then he goes on to write THE MOST ROMANTIC SONG OF ALL TIME just for you...I’d kill meself
Charlie (3.5★) · 6470 likes
What's your name? Elton Elton what? *looks at picture of the Beatles* Elton Ringo sir
davidehrlich (3.5★) · 4947 likes
ROCKETMAN is so much better than BOHEMIAN RHAPSODY that it’s wild they’re *both* technically considered movies.
Patrick Willems (3★) · 4049 likes
The pitch: what if Bohemian Rhapsody was not bad?
•lily• (4.5★) · 3147 likes
He was a poem (Taron Egerton) But they couldn’t read (The Oscars)
2002 · Drama, Music · 1h 51m · R · Where to watch: fuboTV
A more grounded but still performance-driven story about artistic identity, pressure, and self-definition.
Themes
music industry, fame and self-destruction, queer identity, addiction and recovery, friendship and creative partnership, family trauma, celebrity performance, self-invention
Topics
jukebox musical, music biopic, queer drama, rise and fall, addiction, celebrity, glam rock, emotional spectacle, 1970s, redemption