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Priscilla

A cool, precise, and often devastating portrait of a young woman absorbed into a gilded cage. Sofia Coppola turns a famous romance into a study of loneliness, control, and self-erasure, with strong visual style and a quietly forceful lead performance.

Priscilla

Where to watch: Buy

Movie · Drama · Romance

Fri · 1h 53m

Director: Sofia Coppola

Starring: Cailee Spaeny, Jacob Elordi, Ari Cohen

Overview

When teenage Priscilla Beaulieu meets Elvis Presley at a party, the man who is already a meteoric rock-and-roll superstar becomes someone entirely unexpected in private moments: a thrilling crush, an ally in loneliness, a vulnerable best friend.

Director

Sofia Coppola

Cast

Cailee Spaeny, Jacob Elordi, Ari Cohen

Curator Review

Verdict

A cool, precise, and often devastating portrait of a young woman absorbed into a gilded cage. Sofia Coppola turns a famous romance into a study of loneliness, control, and self-erasure, with strong visual style and a quietly forceful lead performance.

Best for

  • fans of restrained character studies
  • viewers interested in women-centered stories about power imbalance
  • audiences who like elegant, mood-driven filmmaking
  • people drawn to celebrity myth deconstruction
  • fans of coming-of-age stories with a dark edge

Skip if

  • you want a conventional biopic with a broad historical sweep
  • you prefer high-energy music-movie spectacle
  • you are looking for a sweeping, passionate romance
  • you dislike slow, observational storytelling
  • you want Elvis as the central character

Overview

Priscilla is less interested in the legend of Elvis Presley than in the private emotional weather around him. Sofia Coppola filters the story through Priscilla Beaulieu’s perspective, making the film feel intimate, hushed, and increasingly claustrophobic. What begins as teenage fascination gradually reveals itself as a portrait of isolation, dependency, and control.

Worth noting

The film’s power comes from its understatement. It doesn’t need to shout to make its point; the costumes, interiors, and careful framing do the work, turning Graceland into a beautiful trap. Cailee Spaeny gives the movie its center with a performance that shifts from wide-eyed curiosity to hard-earned disillusionment.

Bottom line

For viewers who respond to atmosphere and emotional precision, this is one of Coppola’s sharpest works. It’s a romance only in the most uneasy sense: a story about desire, fantasy, and the cost of being seen only as someone else’s idea of a woman.

Top Letterboxd reviews

Jay (3.5★) · 41735 likes

every time jacob elordi stood next to a car i thought no way is he fitting in there

ram<3 (5★) · 31797 likes

she's everything, he's just elvis

zoë rose bryant (4.5★) · 26247 likes

made me want a man and then never want to see one again for the rest of my life

klaasvaak333 (3.5★) · 22726 likes

god Lana Del Rey is gonna love this

jeaba (3.5★) · 19658 likes

it should be illegal to show any version of this movie where elvis doesn’t have subtitles

Themes

celebrity and myth, grooming and power imbalance, female subjectivity, loneliness, control and confinement, coming of age, desire and disillusionment, identity erasure

Topics

drama, romance, biographical drama, female perspective, psychological restraint, 1970s, gilded cage, toxic relationship, coming-of-age, auteur cinema

Open Priscilla (Fri ) on Curator TV