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Out of Sight

A sleek, funny, and very sexy crime-romance with top-tier chemistry, sharp editing, and a jazzy cool that makes the caper feel effortless. It’s as much about flirtation and attitude as the heist itself, and that balance is the movie’s big appeal.

Out of Sight

Where to watch: Buy

Movie · Romance · Comedy

Fri · 2h 3m

Director: Steven Soderbergh

Starring: George Clooney, Jennifer Lopez, Ving Rhames

Overview

Meet Jack Foley, a smooth criminal who bends the law and is determined to make one last heist. Karen Sisco is a federal marshal who chooses all the right moves … and all the wrong guys. Now they're willing to risk it all to find out if there's more between them than just the law.

Director

Steven Soderbergh

Cast

George Clooney, Jennifer Lopez, Ving Rhames

Curator Review

Verdict

A sleek, funny, and very sexy crime-romance with top-tier chemistry, sharp editing, and a jazzy cool that makes the caper feel effortless. It’s as much about flirtation and attitude as the heist itself, and that balance is the movie’s big appeal.

Best for

  • fans of stylish crime comedies
  • viewers who want strong romantic chemistry
  • people who like smart, playful dialogue
  • Soderbergh admirers
  • audiences who enjoy cool 1990s studio filmmaking

Skip if

  • you want a hard-edged, high-stakes thriller
  • you dislike movies that prioritize vibe over plot mechanics
  • you prefer romance to be more earnest than flirtatious
  • you’re not into crime stories with a light comic touch

Overview

Out of Sight is one of the great examples of a movie knowing exactly how attractive its own characters are and using that as fuel. Steven Soderbergh turns a standard criminal-meets-law-enforcement setup into something airy, witty, and impossibly smooth, with editing and music that keep the whole thing gliding along. The result is a caper that feels relaxed without ever feeling lazy.

Worth noting

The real engine is the chemistry between George Clooney and Jennifer Lopez, which is so sharp that the movie almost becomes a duel of charisma. Their scenes together have the charge of a classic star vehicle, but the film never loses its crime-movie bite: everyone is compromised, everyone is overconfident, and the smartest people in the room still make terrible choices.

Bottom line

What lingers most is the tone. It’s sexy, funny, and cool in a way that feels distinctly late-1990s, but it also has enough craft and confidence to outlast the era. Even when the plot is moving pieces around, the movie keeps reminding you that style can be substance when it’s this well executed.

Top Letterboxd reviews

demi adejuyigbe (4.5★) · 1651 likes

Clooney and Lopez at their hottest and most confident, Soderbergh flexing all his favorite muscles, criminals being brought down by their own overconfidence, ego, and lust, and a host of normal 1998 casting decisions that have aged like wine into "Holy shit, they're in this??" moments. What's not to love! One of the (if not definitely the) sexiest crime movies ever made. Love that Clooney spent 1998 to 2001 just playing the full range of confident criminal dorks getting out of prison.

Patrick Willems (4.5★) · 1241 likes

I'm mad there aren't at least two more Jack Foley/Karen Sisco movies.

demi adejuyigbe (5★) · 906 likes

When they showed a Detroit montage upon entering Detroit, I excitedly and unironically pointed to something and said “oh, that’s from Detroiters.”

Jake Cole (4★) · 759 likes

All those breakthroughs in science over the last two decades yet this is where chemistry peaked.

Josh Lewis (4★) · 745 likes

"They put a gun on you, you still have a choice." Damn, remember when pop movies were genuinely funny and sexy little crime capers?

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Themes

crime romance, heist, cat-and-mouse, chemistry, overconfidence, double lives, law enforcement, seduction

Topics

crime comedy, romantic tension, heist film, neo-noir, 1990s, stylish editing, jazzy soundtrack, cat-and-mouse, ensemble cast, slick tone

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