Curator Watchlist
A sly, blue-collar caper with a laid-back Southern wit, Logan Lucky turns a race-track heist into a warm, shaggy crowd-pleaser. It’s less about slickness than charm, family chemistry, and the pleasure of watching a plan come together with just enough chaos to keep it funny.
Where to watch: Buy
Thu · 1h 59m
Director: Steven Soderbergh
Starring: Channing Tatum, Adam Driver, Daniel Craig
Trying to reverse a family curse, brothers Jimmy and Clyde Logan set out to execute an elaborate robbery during the legendary Coca-Cola 600 race at the Charlotte Motor Speedway.
Steven Soderbergh
Channing Tatum, Adam Driver, Daniel Craig
A sly, blue-collar caper with a laid-back Southern wit, Logan Lucky turns a race-track heist into a warm, shaggy crowd-pleaser. It’s less about slickness than charm, family chemistry, and the pleasure of watching a plan come together with just enough chaos to keep it funny.
Logan Lucky is a heist movie with grease under its nails. Steven Soderbergh swaps glamour for gas-station pragmatism, finding comedy in the logistics of crime and the stubborn ingenuity of people who are usually overlooked by movies like this.
The cast is the engine: Channing Tatum gives the film a weary sweetness, Adam Driver plays deadpan like a superpower, and Daniel Craig has a gloriously unhinged blast as the wildcard. The movie keeps moving, but it never loses its easygoing, almost affectionate sense of place.
What makes it stick is the balance. It’s funny without feeling disposable, and it’s clever without becoming smug. The caper mechanics are satisfying, but the real pleasure is watching Soderbergh make a mainstream studio movie that still feels sly, human, and a little bit rebellious.
Josh Lewis (4★) · 5019 likes
"That is total bullshit. George R. R. Martin was supposed to deliver The Winds of Winter to his publisher over two years ago."
Karsten (4★) · 1989 likes
always thought this was that superhero movie. extremely up my alley, all of it is good. so lucky we live in a world where craig, tatum and driver all starred in a movie together and it was a soderbergh heist movie. are you serious? those are our best guys. david holmes even did that thing with the drums on the score. good time
andie (4.5★) · 1787 likes
The heist genre: please just let me die Steven Soderbergh, defibrillators in hand: not on my watch you son of a bitch
matt lynch (4★) · 1584 likes
Fuck it, nobody's allowed to make caper comedies except Soderbergh from here on out.
Patrick Willems (4★) · 1484 likes
That wide shot with C-Tates silhouetted in the doorway while his daughter sings onstage? That’s that good shit.
A polished, star-driven caper that shares the same pleasure in planning, teamwork, and breezy criminal competence.
Another Soderbergh crime film with style, wit, and a coolly controlled sense of momentum.
A playful, crowd-pleasing heist movie that balances action, banter, and team dynamics.
A classic con-man film with elegant plotting and the same satisfaction of watching a scheme unfold.
For viewers who enjoy the mechanics of a heist and the tension of careful execution.
A sharp crime comedy with fast banter, deadpan humor, and a self-aware genre playfulness.
A darkly comic crime farce about foolishness, bad decisions, and escalating chaos.
A buddy-crime comedy with strong chemistry, comic momentum, and a loose but clever structure.
Shares the modern Southern/Western working-class texture, even though it’s more serious and melancholy.
A shaggy, character-driven crime adventure with humor, heart, and an underdog energy.
For its Depression-era con artistry, family dynamics, and affectionate view of scrappy survival.
A whimsical con film that leans into charm, schemes, and the romance of the hustle.
heist, family, working-class ingenuity, regional identity, crime comedy, blue-collar resilience, loyalty, luck vs. planning
heist comedy, crime caper, ensemble cast, Southern setting, working-class, lighthearted, offbeat, roadside Americana, 2010s, slick filmmaking