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In & Out

A breezy, broadly appealing studio comedy that uses a coming-out premise to build a crowd-pleasing farce about identity, performance, and small-town respectability. It’s very much of its era, but the cast, timing, and warm-hearted tone still make it an easy watch.

In & Out

Where to watch: Buy

Movie · Comedy

Wed · 1h 30m

Director: Frank Oz

Starring: Kevin Kline, Joan Cusack, Tom Selleck

Overview

A midwestern teacher questions his sexuality after a former student makes a comment about him at the Academy Awards.

Director

Frank Oz

Cast

Kevin Kline, Joan Cusack, Tom Selleck

Curator Review

Verdict

A breezy, broadly appealing studio comedy that uses a coming-out premise to build a crowd-pleasing farce about identity, performance, and small-town respectability. It’s very much of its era, but the cast, timing, and warm-hearted tone still make it an easy watch.

Best for

  • Viewers who like mainstream 90s comedies with a queer angle
  • Fans of Kevin Kline and sharp ensemble banter
  • People who enjoy feel-good, socially aware crowd-pleasers
  • Anyone curious about a lighter, more old-school coming-out comedy

Skip if

  • You want a modern or especially nuanced LGBTQ+ drama
  • You’re sensitive to dated jokes and 90s-era stereotypes
  • You prefer comedy that feels edgy or formally inventive
  • You want the film to be more emotionally complex than broadly sentimental

Overview

In & Out is a very specific kind of studio comedy: polished, accessible, and built around the tension between public image and private truth. The premise is simple enough to trigger a lot of farce, but the movie’s real engine is embarrassment, social panic, and the absurdity of everyone around the central character trying to manage his identity for him.

Worth noting

What keeps it working is the cast. Kevin Kline plays the confusion and indignation with just enough sincerity to keep the comedy from turning mean, while Joan Cusack brings the kind of high-voltage comic energy that can make a scene feel like it’s sprinting. The film’s best moments are the ones that let awkwardness snowball into communal chaos.

Bottom line

It’s also unmistakably a product of the late 90s, which means some of the humor lands as dated or overly broad now. But as a mainstream queer-adjacent comedy from that moment, it’s notable for being unusually open, affectionate, and willing to make the whole town part of the joke. For viewers in the mood for a light, star-driven comedy with a progressive streak, it still goes down easily.

Top Letterboxd reviews

🌻 lindsay 🌻 (4★) · 1664 likes

The o captain my captain scene from dead poets society wishes it had the power of the scene in this where everyone stands up and says they’re gay

👽 Zara 👽 (4★) · 1356 likes

i love terribly dated out of touch campy gay films they’re my friend

Sam (4.5★) · 832 likes

I CANNOT BELIEVE THEY MADE A MOVIE SPECIFICALLY FOR OSCAR OBSESSED GAYS WTF IS THIS WHAT DREAMS ARE MADE OF?!??!!

liIy (4★) · 780 likes

i can’t believe paul newman lost to cameron drake at the 68th annual academy awards

jack (3★) · 649 likes

‘IS EVERYBODY GAY???? IS THIS A TWILIGHT ZONE???’ joan cusack is such a good comedic actress, the whole scene of her leaving the bar is soooooo good

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Themes

coming out, identity and self-acceptance, small-town social pressure, media and public image, misunderstanding and farce, queer visibility, gender expectations, community gossip

Topics

90s comedy, queer comedy, coming-of-age adult, farce, ensemble cast, small-town satire, identity crisis, feel-good, mainstream Hollywood, social satire

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