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Highest 2 Lowest

A bold, uneven crime thriller with flashes of Spike Lee’s visual invention and moral urgency, but also enough tonal whiplash and structural roughness to keep it from being an easy recommendation. It’s most rewarding if you’re open to a messy, provocative remake that values ideas, performance, and attitude over… Read more

Highest 2 Lowest

Where to watch: Buy

Movie · Thriller · Crime

Thu · 2h 13m

Director: Spike Lee

Starring: Denzel Washington, Jeffrey Wright, Ilfenesh Hadera

Overview

When a titan music mogul, widely known as having the "best ears in the business", is targeted with a ransom plot, he is jammed up in a life-or-death moral dilemma.

Director

Spike Lee

Cast

Denzel Washington, Jeffrey Wright, Ilfenesh Hadera

Curator Review

Verdict

A bold, uneven crime thriller with flashes of Spike Lee’s visual invention and moral urgency, but also enough tonal whiplash and structural roughness to keep it from being an easy recommendation. It’s most rewarding if you’re open to a messy, provocative remake that values ideas, performance, and attitude over clean suspense mechanics.

Best for

  • Spike Lee completists
  • Viewers who like ambitious remakes and reinterpretations
  • Fans of Denzel Washington-led prestige thrillers
  • People who enjoy crime dramas with social commentary
  • Audiences tolerant of tonal swings and formal experimentation

Skip if

  • You want a tightly plotted, consistently suspenseful thriller
  • You dislike self-conscious style or abrupt tonal shifts
  • You prefer remakes that stay reverent to the original
  • You’re looking for a polished, crowd-pleasing crime movie

Overview

Highest 2 Lowest is the kind of movie that can feel like a provocation in real time. Spike Lee takes a familiar ransom-thriller framework and bends it toward modern celebrity, money, and performance, with Denzel Washington anchoring the whole thing as a man whose power is suddenly exposed as fragile. When it clicks, the film has real voltage: sharp images, a restless sense of movement, and a willingness to be funny, ugly, and strange all at once.

Worth noting

But it’s also a film that seems determined not to settle into one mode for long. The first stretch can feel overcooked or even self-sabotaging, and the score and tonal choices will divide people fast. Some viewers will read that as chaos; others will see a director deliberately refusing the safety of a prestige remake.

Bottom line

The result is less a smooth thriller than a conversation piece: part crime drama, part satire, part star vehicle, part formal experiment. If you want Spike Lee at his most controlled, this may frustrate you. If you want him swinging hard and making choices that are impossible to ignore, it has plenty to chew on.

Top Letterboxd reviews

Framesofnick (3.5★) · 3192 likes

I wasn’t sold on this until a$ap rocky said pussy in a way that had me lean forward

jonathan fujii (3★) · 3135 likes

Idk if I hate anything as much as Spike Lee hates Boston

JP (2★) · 2811 likes

A pointless remake that does nothing but embarrass itself for most of it’s runtime. Kind of confused how someone as talented as Spike Lee was even behind this. I don't think they ever knew what this was trying to be, it is all over the place. The script is awful. The first hour genuinely features some of the worst filmmaking of the year. They try to match the first hour of the original, and it is so bad. The music… more

Patrick Willems · 2336 likes

Spike sure made a lot of choices here and some work and some really do not but they’re all interesting But also truly what is up with the score

demi adejuyigbe · 2127 likes

dug this, but I wonder if I would’ve really loved it if i hadn’t watched High and Low in the same week. largely sublimates its politics/themes and stumbles in trying to recreate some of its highlights. also makes a very strange choice with the ending of the original; spike modifies the set-up of two men separated by glass into something that I found really interesting and clever and a lot of fun (a goofy choice in that scene might be

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Themes

ransom plot, moral dilemma, wealth and power, celebrity culture, music industry, modern urban crime, ego and image, social commentary

Topics

crime thriller, neo-noir, moral conflict, music business, celebrity satire, urban drama, tonal whiplash, social critique, prestige remake, 21st century

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