A gnarly, crowd-pleasing horror entry that leans hard into practical gore, frantic camera movement, and family-from-hell dynamics. It sounds strongest when it embraces splattery chaos and weakest when it overexplains its trauma metaphor, but the visceral craft and mean streak should satisfy franchise fans and gore… Read more
After her husband's abrupt death, a woman seeks solace with her in-laws. As they transform into Deadites one by one, she comes to discover that the vows she took in life survive even in death.
Director
Sébastien Vaniček
Production
New Line Cinema, Screen Gems, Ghost House Pictures
Cast
Souheila Yacoub, Tandi Wright, Hunter Doohan, Luciane Buchanan, Erroll Shand, Maude Davey, George Pullar, Victory Ndukwe, Keanu Karim, Michael Hurst, Alain Chabat, Lara Macgregor, Shyamal Singh, Tapiwa Soropa, Greta van den Brink, Alyssa Sutherland, Coco White, Zoë Brunton, Justin Benn, Keagan Carr Fransch
Curator Review
Verdict
A gnarly, crowd-pleasing horror entry that leans hard into practical gore, frantic camera movement, and family-from-hell dynamics. It sounds strongest when it embraces splattery chaos and weakest when it overexplains its trauma metaphor, but the visceral craft and mean streak should satisfy franchise fans and gore seekers.
Best for
fans of splatter-heavy horror
viewers who like chaotic, kinetic direction
audiences drawn to dysfunctional family horror
people open to trauma-metaphor genre films
Skip if
you dislike extreme gore and body horror
you want subtle or restrained horror
you are tired of trauma-as-metaphor storytelling
you prefer cleanly plotted, low-mess supernatural horror
Overview
This looks like a franchise entry that knows exactly what its audience wants: blood, panic, and a house full of escalating bad decisions. The strongest signals are the practical effects, the vertiginous camera work, and the way the in-law setup turns domestic discomfort into a full-blown siege movie. That combination gives it a nasty, playful energy even when the script sounds a little overfamiliar.
Worth noting
The reviews suggest a film that is at its best when it stops trying to be profound and just keeps the carnage coming. There’s a clear New French Extremity influence in the texture and severity, which should make it feel nastier and more formal than a standard studio horror sequel. At the same time, the repeated trauma commentary may feel blunt to viewers who’ve seen this metaphor used too often.
Bottom line
If you want a horror movie that earns its reputation through sheer intensity, this seems like a solid watch. If you need originality in the story mechanics, or if graphic mutilation is a dealbreaker, it’s probably better left alone. For the right audience, though, it sounds like a ferocious, sweaty, very watchable mess.
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