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Da 5 Bloods

A forceful, ambitious war drama that mixes adventure, grief, political anger, and historical reckoning. It’s messy by design, but the emotional intensity, vivid performances, and Spike Lee’s restless style make it a memorable watch.

Da 5 Bloods

Where to watch: Buy

Movie · War · Drama

Fri · 2h 35m

Director: Spike Lee

Starring: Delroy Lindo, Jonathan Majors, Clarke Peters

Overview

Four African-American Vietnam veterans return to Vietnam. They are in search of the remains of their fallen squad leader and the promise of buried treasure. These heroes battle forces of humanity and nature while confronted by the lasting ravages of the immorality of the Vietnam War.

Director

Spike Lee

Cast

Delroy Lindo, Jonathan Majors, Clarke Peters

Curator Review

Verdict

A forceful, ambitious war drama that mixes adventure, grief, political anger, and historical reckoning. It’s messy by design, but the emotional intensity, vivid performances, and Spike Lee’s restless style make it a memorable watch.

Best for

  • Viewers interested in Vietnam War stories with a Black American perspective
  • Fans of bold, politically charged filmmaking
  • People who like performance-driven ensemble dramas
  • Audiences open to tonal shifts between thriller, satire, and tragedy

Skip if

  • You want a clean, tightly plotted war film
  • You dislike overt political commentary
  • You prefer restrained, understated direction
  • You’re looking for a straightforward treasure-hunt adventure

Overview

Da 5 Bloods is less a conventional war movie than a collision of genres: reunion drama, treasure hunt, historical essay, and trauma study. Spike Lee uses the Vietnam setting to examine how the war’s violence echoes through Black American life, and he does it with urgency, anger, and a lot of formal energy. The result is uneven, but rarely dull.

Worth noting

Delroy Lindo is the film’s anchor, giving a raw, volatile performance that keeps the emotional stakes alive even when the movie gets sprawling. The ensemble dynamic is strong too, especially as the film shifts between camaraderie, regret, and old wounds that never healed. Lee’s visual style can be brash, but that brashness fits the material.

Bottom line

What lingers most is the film’s refusal to separate personal memory from national history. It’s about buried gold, but also buried guilt, buried bodies, and the way the past keeps resurfacing. If you respond to films that are passionate, imperfect, and politically alive, this is very much worth your time.

Top Letterboxd reviews

Karsten (4★) · 2018 likes

I hope this makes sense: the colorful, psychedelic imagery in the poster wasn’t really in the film, but I still felt that. Ya know? Spike Lee is so good at giving you a physical reaction.

Brian Tallerico (4.5★) · 1216 likes

Felt like a shock to the system after weeks of lazy, passionless filmmaking. It is the story of two wars that never ended - Vietnam and civil rights - and it contains stunning work from Lindo, Majors, Blanchard, and Lee.‬

Josh Lewis (4★) · 994 likes

Spike lee does The Treasure of the Sierra Madre as men-on-a-mission, hangout/heist picture through black history and Vietnam only instead of being slowly corrupted by greed Lee wrestles with how we are already corrupted and haunted by imperialism, whether we understand exactly how or why or the all-consuming depth of it or not. Delroy Lindo gives one of the most brutally sad, destructive performances in a Lee joint (no small feat, especially considering his own in Crooklyn) playing a man

fran hoepfner (2.5★) · 988 likes

last night my mom texted me "Delroy Lindo" at 10:30pm with nothing else and I have to say that I agree

Jay (4★) · 744 likes

nothing gets a film party going better than a bong hit and a spike lee joint

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Themes

Vietnam War aftermath, Black American history, historical trauma, male friendship, grief and guilt, imperialism, treasure hunt, generational memory

Topics

Vietnam War, ensemble drama, political drama, historical trauma, treasure hunt, psychological intensity, anti-war, road movie, social commentary, 2020s cinema

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