Curator Watchlist
A hyperactive, mean, and gleefully trashy action movie that turns a simple ticking-clock premise into a full-body adrenaline joke. Its style is the point: frantic editing, crude humor, and a shamelessly overcaffeinated energy that makes it feel like a cult object rather than a polished studio thriller.
Where to watch: Buy
Thu · 1h 28m
Director: Brian Taylor, Mark Neveldine
Starring: Jason Statham, Amy Smart, Jose Pablo Cantillo
Chev Chelios, a hit man wanting to go straight, lets his latest target slip away. Then he awakes the next morning to a phone call that informs him he has been poisoned and has only an hour to live unless he keeps adrenaline coursing through his body while he searches for an antidote.
Brian Taylor, Mark Neveldine
Jason Statham, Amy Smart, Jose Pablo Cantillo
A hyperactive, mean, and gleefully trashy action movie that turns a simple ticking-clock premise into a full-body adrenaline joke. Its style is the point: frantic editing, crude humor, and a shamelessly overcaffeinated energy that makes it feel like a cult object rather than a polished studio thriller.
Crank is the kind of movie that seems designed to offend good taste and then win you over by sheer commitment. It takes a one-hour death sentence premise and pushes it into a fever dream of public humiliation, street-fight absurdity, and chemically unstable momentum. The result is crude, noisy, and often ridiculous, but rarely boring.
What makes it endure is how fully it understands its own trashy identity. The movie weaponizes digital ugliness, frantic cutting, and a nasty sense of humor to create something that feels both disposable and weirdly singular. Jason Statham plays it straight enough to keep the joke alive, which is crucial: the film works because everyone involved acts as if this is the most urgent thing in the world.
It is not a polished action classic so much as a cult artifact of early-2000s excess. If you want elegance, look elsewhere. If you want a movie that feels like it was made by people who thought restraint was for cowards, Crank delivers exactly that.
Carlos (4★) · 2898 likes
This is a better remake of Speed, with Statham being the bus
Robert Franco · 1742 likes
the two most annoying dudes you went to film school with who had the worst taste made a movie... and it turned out to fucking rule.
#1 gizmo fan (5★) · 1133 likes
An actual perfect film.
Brendan Michaels · 1077 likes
This is the best and the worst film ever made.
Josh Lewis (4★) · 1014 likes
The origins of Monster energy drink cinema. The gleeful vulgarity/gruesomeness, filthy textures, anarchic editing patterns, and digital camera moves. Just nauseating front-to-back. Great filmmaking. Somehow always forget about Staham trying to head-bang to 'Achy Breaky Heart'.
The clearest mainstream template for the ticking-clock action premise, with relentless momentum and a city-as-pressure-cooker structure.
A sleek, stunt-forward vehicle for Jason Statham that shares the same hard-edged, self-aware action-star appeal.
Another gleefully absurd action movie that treats logic as optional and style as the real payload.
For viewers who want operatic violence, escalating chaos, and action filmmaking that keeps mutating into bigger set pieces.
A brutal, breathless survival-action film that sustains pressure through constant escalation and physical punishment.
A modern benchmark for pure kinetic cinema, with relentless forward motion and maximalist visual invention.
A lean revenge thriller that shares the same cool, stripped-down sense of a man moving through a hostile world.
A night-long urban odyssey built on momentum, menace, and a tightly controlled sense of escalating danger.
For its jittery, propulsive action style and a protagonist forced into survival mode while improvising under pressure.
A peak example of urgent, breathless chase filmmaking that keeps the audience locked into constant motion.
A wildly over-the-top action thriller that embraces operatic absurdity while still delivering serious genre thrills.
Big, loud, shameless action spectacle with a comic-book sense of escalation and a proudly ridiculous tone.
ticking-clock survival, adrenaline addiction, urban chaos, antihero redemption, body as machine, toxic masculinity, sensory overload, crime under pressure
action, thriller, crime, cult film, high-octane, punk energy, digital-era aesthetics, black comedy, violent, early 2000s