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An American in Paris

A lavish MGM musical with buoyant charm, painterly Technicolor design, and one of the great extended dance finales in classic Hollywood. The story is slight and the romantic dynamics can feel dated, but the film’s visual invention and performance energy make it a landmark of the genre.

An American in Paris

Where to watch: Buy

Movie · Music · Romance

Wed · 1h 53m

Director: Vincente Minnelli

Starring: Gene Kelly, Leslie Caron, Oscar Levant

Overview

Jerry Mulligan is an exuberant American expatriate in Paris trying to make a reputation as a painter. His friend Adam is a struggling concert pianist who's a long time associate of a famous French singer, Henri Baurel. A lonely society woman, Milo Roberts, takes Jerry under her wing and supports him, but is interested in more than his art.

Director

Vincente Minnelli

Cast

Gene Kelly, Leslie Caron, Oscar Levant

Curator Review

Verdict

A lavish MGM musical with buoyant charm, painterly Technicolor design, and one of the great extended dance finales in classic Hollywood. The story is slight and the romantic dynamics can feel dated, but the film’s visual invention and performance energy make it a landmark of the genre.

Best for

  • classic musical fans
  • viewers who love dance-driven storytelling
  • fans of Technicolor spectacle
  • romantic escapism
  • people interested in Hollywood production design

Skip if

  • you want a tightly plotted romance
  • you’re allergic to old-school gender politics
  • you prefer naturalistic acting over heightened musical performance
  • you mainly want songs rather than long ballet sequences

Overview

An American in Paris is less interested in plot than in atmosphere, movement, and color. It turns Paris into a dream of cafés, studios, and sunlit streets, then lets Gene Kelly’s athletic charisma and the film’s choreography do the emotional heavy lifting. The result is a movie that feels engineered to dazzle, and it still does.

Worth noting

The romance is charming but thin, and some of the character dynamics play as pushy by modern standards. Even so, the film’s confidence is hard to resist: the comic rhythms, the musical interludes, and especially the final ballet create a sense of cinema as pure display. It’s one of those classics that earns its reputation through craft more than narrative complexity.

Bottom line

If you love studio-era musicals, this is essential viewing. If you’re looking for a story-first romance, it may feel airy to the point of weightlessness, but as a showcase for choreography, design, and old Hollywood polish, it’s a standout.

Top Letterboxd reviews

eely (3★) · 2566 likes

me: :( gene kelly’s feet: go clickity clack me: :)

Chris 🍉 (3.5★) · 1672 likes

gene kelly's ass omg.... is this allowed???????????????????????? im adding a half star just for his tight white pants in the final dance sequence

Aaron Michael (3★) · 1259 likes

Emma Stone voice: My american used to live in Paris...

👽 Zara 👽 (4★) · 1013 likes

i wish i could tap dance away my problems like gene kelly

Sally Jane Black · 838 likes

Why bother with the plot when you could have just made beautiful dance sequences for two hours? I mean this as a positive review.

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Themes

romantic fantasy, artistic ambition, expatriate life, Paris as dreamscape, dance as expression, classical Hollywood spectacle, unrequited desire, bohemian aspiration

Topics

classic musical, Technicolor, romance, dance choreography, dream ballet, Parisian setting, studio-era Hollywood, artistic bohemia, light comedy, 1950s

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