A richly observed, emotionally layered portrait of women navigating work, loneliness, desire, and friendship in Mumbai. It blends social realism with lyrical, dreamlike touches, and the result feels intimate, humane, and quietly transporting.
In Mumbai, Nurse Prabha's routine is troubled when she receives an unexpected gift from her estranged husband. Her younger roommate, Anu, tries in vain to find a spot in the city to be intimate with her boyfriend. A trip to a beach town allows them to find a space for their desires to manifest.
Director
Payal Kapadia
Cast
Kani Kusruti, Divya Prabha, Chhaya Kadam
Curator Review
Verdict
A richly observed, emotionally layered portrait of women navigating work, loneliness, desire, and friendship in Mumbai. It blends social realism with lyrical, dreamlike touches, and the result feels intimate, humane, and quietly transporting.
Best for
viewers who like character-driven dramas
fans of contemplative, city-based storytelling
people drawn to women-centered stories about work and intimacy
viewers who appreciate lyrical realism and mood over plot
fans of international festival cinema
Skip if
you want a fast-moving plot
you prefer clear-cut romance
you dislike elliptical, meditative storytelling
you need high-stakes dramatic escalation
Overview
All We Imagine as Light is a tender, observant film that finds extraordinary feeling inside ordinary routines. It watches its characters with patience, letting work, shared living, and small acts of care reveal the pressures shaping their lives. The city is not just a backdrop but a living presence, full of noise, distance, and fleeting possibility.
Worth noting
What makes the film resonate is its balance of realism and poetry. It understands loneliness without wallowing in it, and desire without reducing it to a simple love story. The performances feel lived-in, and the film’s visual approach gives even the quietest moments a sense of drift and discovery.
Bottom line
This is the kind of movie that rewards attention to texture: glances, silences, cramped rooms, and the way a place can both confine and liberate. It is moving, humane, and beautifully made, with a confidence that never needs to announce itself.
Top Letterboxd reviews
Humad (4.5★) · 5100 likes
- Desperately want to watch this for months - Only theater playing this is 4 hours from me - Found out this had released on Disney+ yesterday... but only in India - Got a VPN and attempted to sign up for Disney+ - Turns out it requires an Indian phone number for sign up - Found a website that sells virtual Indian phone numbers - Bought a virtual phone number - Disney+ doesn't accept virtual phone numbers - Went to
Ella Kemp (4.5★) · 2606 likes
The most soul I've seen in a long, long time in a movie.
zoë rose bryant (4.5★) · 2380 likes
obama’s intern real as fuck for putting this on his best films of 2024
Joshua Dysart (5★) · 2154 likes
This is what Edward Yang was talking about when he wrote, “we live three times as long since man invented movies”. Last night I got to be on the streets of Mumbai, watch a young Hindu nurse dress in a burka to infiltrate the neighborhood of the Muslim man she loves, I traveled to a beach side village of another woman as she tried to figure out the next chapter of her life, and so much more. A slice of
Frances Meh (4★) · 2025 likes
sending my girl a zojirushi rice cooker to make up for a decade of estrangement wish me luck ~ TIFF 2024 #15 ~
A talk-driven, intimate romance that values connection, atmosphere, and emotional immediacy.
Themes
female friendship, urban alienation, desire and intimacy, work and labor, loneliness, migration and belonging, family estrangement, quiet resilience
Topics
women-centered drama, urban life, slow cinema, lyrical realism, intimate relationships, contemporary India, festival favorite, melancholy, slice of life, social observation