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Yi Yi

A patient, expansive family drama that turns ordinary life into something luminous. It’s emotionally rich, formally precise, and rewards attention with deep empathy, visual invention, and cumulative resonance.

Yi Yi

Where to watch: Buy

Movie · Drama

Wed · 2h 54m

Director: Edward Yang

Starring: Wu Nien-jen, Issey Ogata, Elaine Jin Yan-Ling

Overview

A Taipei family faces personal and moral uncertainty as everyday events test their relationships and sense of purpose.

Director

Edward Yang

Cast

Wu Nien-jen, Issey Ogata, Elaine Jin Yan-Ling

Curator Review

Verdict

A patient, expansive family drama that turns ordinary life into something luminous. It’s emotionally rich, formally precise, and rewards attention with deep empathy, visual invention, and cumulative resonance.

Best for

  • viewers who love contemplative character studies
  • fans of ensemble family dramas
  • people who appreciate long, patient films that build quietly
  • viewers interested in modern urban life and generational change
  • cinephiles drawn to visual composition and reflective imagery

Skip if

  • you want a fast-moving plot
  • you prefer highly dramatic or melodramatic storytelling
  • you dislike long runtimes and slow-burn pacing
  • you want clear-cut answers instead of ambiguity

Overview

Yi Yi is one of cinema’s great works of observation: a family portrait that keeps widening until it feels like a portrait of life itself. Edward Yang finds drama in small gestures, missed connections, business meetings, school crushes, hospital corridors, and the private thoughts people rarely say aloud. The film is calm on the surface, but it’s constantly alive with feeling and intelligence.

Worth noting

What makes it extraordinary is how it balances intimacy and scale. Every character gets their own emotional weather, yet the film never loses sight of the larger currents of time, memory, regret, and renewal. Yang’s framing, use of reflections, and patient attention to faces and spaces give the movie a quiet visual poetry.

Bottom line

It’s a film that deepens with each revisit, not because it hides a puzzle, but because it understands how much of life only becomes visible in hindsight. Tender, humane, and devastatingly observant, it belongs in the highest tier of modern drama.

Top Letterboxd reviews

Dan Molloy · 8665 likes

“My uncle says we live three times as long since man invented movies.” “How can that be?” “It means movies give us twice what we get from daily life.”

coffee (5★) · 4563 likes

“I’m sorry Grandma. It wasn't that I didn't want to talk to you. I think about all the stuff I could tell you... You must already know. Otherwise, you wouldn't always tell me to 'Listen!' They all say you've gone away. But you didn't tell me where you went. I guess it's someplace you think I should know. But, Grandma, I know so little. Do you know what I want to do when I grow up? I want to tell

Karsten (5★) · 4441 likes

should be a mandatory viewing every 5 years, so much to learn from this. it’s impossible to see everything this has to offer off a single viewing so it only makes sense that it’ll be something i continue to revisit and rediscover. as far as i know this is the only movie about everything that pulls it off. all those reflection shots in the windows are unbelievable. see you again in 5 years!

davidehrlich (5★) · 4384 likes

Trying to indicate the scale of a movie so immense and full of life that it can’t possibly be described (only experienced), the British critic Nigel Andrews wrote that calling “‘Yi Yi’ a three-hour Taiwanese family drama is like calling ‘Citizen Kane’ a film about a newspaper.” It’s a clever line, but those who haven’t seen Edward Yang’s final masterpiece could easily mistake it for a cop-out. At a passing glance, it seems like the kind of thing someone in

Taylor Williams (4★) · 3510 likes

Dropping a star because I wanted more yang-yang

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Themes

family dynamics, generational change, urban alienation, memory and reflection, mortality, coming of age, marriage and divorce, work and modern life

Topics

family drama, slow cinema, ensemble cast, urban Taipei, coming of age, midlife crisis, reflective visuals, existential, humanist, modern classic

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