A warm, fast-moving Capra comedy that blends screwball romance with a sincere celebration of eccentricity, generosity, and anti-snobbery. It’s especially rewarding if you like old-Hollywood charm, ensemble chaos, and an optimistic worldview that still lands emotionally.
You Can't Take It with You
Where to watch: Buy
Movie · Comedy · Romance
Thu · 2h 6m
Director: Frank Capra
Starring: Jean Arthur, Lionel Barrymore, James Stewart
Overview
Alice, the only relatively normal member of the eccentric Sycamore family, falls in love with Tony Kirby, but his wealthy banker father and snobbish mother strongly disapprove of the match. When the Kirbys are invited to dinner to become better acquainted with their future in-laws, things don't turn out the way Alice had hoped.
Director
Frank Capra
Cast
Jean Arthur, Lionel Barrymore, James Stewart
Curator Review
Verdict
A warm, fast-moving Capra comedy that blends screwball romance with a sincere celebration of eccentricity, generosity, and anti-snobbery. It’s especially rewarding if you like old-Hollywood charm, ensemble chaos, and an optimistic worldview that still lands emotionally.
Best for
Fans of classic Hollywood comedies
Viewers who enjoy wholesome, idealistic romance
People who like eccentric family ensembles and social satire
Anyone in the mood for a feel-good movie with wit and heart
Skip if
You prefer sharper, more cynical comedy
You need a tightly focused romance with little subplot detour
Capra-style sentimentality tends to feel too sugary
You dislike broad 1930s theatrical performance styles
Overview
Frank Capra turns a wildly eccentric family into a manifesto for human kindness, and the result is both funny and disarming. The movie thrives on contrast: the Sycamores’ joyful chaos against the Kirbys’ moneyed rigidity, with the romance giving the whole thing a sweet, accessible center. It’s a comedy of manners, but one that keeps insisting that joy, labor, and affection matter more than status.
Worth noting
What makes it endure is the balance of broad comedy and genuine feeling. Some of the early scenes play big, but the film keeps finding richer emotional texture as it goes, especially in the way it treats family as a chosen ecosystem rather than a social credential. James Stewart and Jean Arthur bring a spark that makes the idealism feel lived-in instead of abstract.
Bottom line
This is one of those classic studio films that understands how to be both comforting and pointed. It’s not subtle about its values, but it is remarkably effective at making those values feel contagious. If you’re open to Capra’s earnestness, it’s a delight.
Top Letterboxd reviews
mia lee vicino (4★) · 809 likes
been watching a lot of capra movies recently (for jean arthur specifically) and consistently find myself wishing that the whole runtime was dedicated to the lead characters' respective romances? i know the larger themes of all-american idealism and wholesome human kindness are the ultimate point of his films and a crucial factor as to why they're so revered, but then jimmy stewart will say some shit to jean like, "You're so beautiful. Like, sometimes you're so beautiful it just gags
eely (4★) · 605 likes
i just want jimmy stewart to accept me and my quirky ass family, even if my father sometimes tries to blow up the house with fireworks and my sister’s russian dance teacher (who is always at our house for some reason) sometimes picks people up and slams them down onto the living room floor without their consent. is that too much to ask
Lara Pop (4★) · 454 likes
Forget about its timeless moral message. This movie has Jean Arthur swinging down the banister wearing suspenders adorned with flowers, shouting merrily 'Wheeee, WITHOUT HOLDING!!!' just days after walking into a fancy restaurant with a sign accidentally left on her back reading 'NUTS' in big bright letters. Suffice to say, I was sold right away.
hannah (4.5★) · 412 likes
jimmy stewart invented solar power confirmed
Christopher Moore (4.5★) · 287 likes
Even the cynic in me finds it hard to resist Frank Capra's gushy oddball optimism.