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The Picture of Dorian Gray

A stylish, eerie adaptation that still lands as a vivid morality tale, with a standout use of color for the portrait and a cold, memorable central performance. It’s condensed and a bit choppy, but the atmosphere, visual invention, and Gothic dread make it easy to recommend.

The Picture of Dorian Gray

Where to watch: Buy

Movie · Drama · Horror

Sat · 1h 51m

Director: Albert Lewin

Starring: Hurd Hatfield, George Sanders, Donna Reed

Overview

A corrupt young man somehow keeps his youthful beauty, but a special painting gradually reveals his inner ugliness to all.

Director

Albert Lewin

Cast

Hurd Hatfield, George Sanders, Donna Reed

Curator Review

Verdict

A stylish, eerie adaptation that still lands as a vivid morality tale, with a standout use of color for the portrait and a cold, memorable central performance. It’s condensed and a bit choppy, but the atmosphere, visual invention, and Gothic dread make it easy to recommend.

Best for

  • classic horror fans
  • Oscar Wilde adaptations
  • Gothic melodrama lovers
  • viewers interested in early color effects
  • fans of moral-corruption stories

Skip if

  • you want a fully faithful adaptation
  • you prefer fast-paced plotting
  • you dislike old studio-era acting styles
  • you need overtly queer subtext brought to the surface

Overview

Albert Lewin’s 1945 version of The Picture of Dorian Gray is elegant, strange, and more unsettling than its polished surfaces suggest. The black-and-white photography, then the sudden eruption of color for the portrait, gives the film a genuinely uncanny charge that still works decades later. It feels like a studio-era Gothic tale that knows exactly when to become a nightmare.

Worth noting

Hurd Hatfield plays Dorian with a chilly, almost insect-like detachment that suits the character’s moral vacancy. The film trims and rearranges Wilde’s novel, so it can feel episodic or compressed, but the atmosphere is strong enough to carry the omissions. George Sanders adds a sly, poisonous wit that helps the movie feel less like a museum piece and more like a decadent warning.

Bottom line

This is best approached as a mood piece and a showcase for visual storytelling rather than a definitive literary adaptation. If you want the full complexity and subversive bite of Wilde’s book, you may leave wanting more. If you want a handsome, haunted classic with one of the great “portrait reveal” effects in horror cinema, it delivers.

Top Letterboxd reviews

eely (3★) · 700 likes

twinks SHOULD live forever

nina (3★) · 519 likes

much straighter than anticipated :/ feeling: betrayed

Jaime 🏳️‍🌈✨ (3★) · 445 likes

So obviously this is objectively way better than the 2009 adaptation but this one also doesn't have Dorian kiss Basil at a sex party so really which is truly superior

Hesse (4★) · 384 likes

When it showed the painting I lost my shit. Also so funny when he reads the poem and says “it was written by a brilliant Irishman out of oxford named Oscar Wilde” lol

evilbjork (3★) · 250 likes

I just know everyone in the audience in 1945 was blown away when it revealed Dorian Gray's portrait and it was in color. I mean, even 80 years after its release, I was impressed by that.

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Themes

vanity, moral corruption, double life, decay beneath beauty, Gothic horror, temptation, aestheticism, repression

Topics

classic horror, Gothic drama, moral decay, supernatural curse, studio-era cinema, black-and-white photography, early color effects, literary adaptation, psychological horror, decadent atmosphere

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