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The First Wives Club

A glossy, crowd-pleasing revenge comedy with a sharp premise, big star chemistry, and a satisfyingly cathartic feminist streak. It’s uneven in places, but the wit, pace, and iconic finale make it a strong watch for anyone in the mood for a mid-90s studio comedy with bite.

The First Wives Club

Where to watch: Buy

Movie · Comedy

Fri · 1h 42m

Director: Hugh Wilson

Starring: Goldie Hawn, Bette Midler, Diane Keaton

Overview

After years of helping their hubbies climb the ladder of success, three mid-life Manhattanites have been dumped for a newer, curvier model. But the trio is determined to turn their pain into gain. They come up with a cleverly devious plan to hit their exes where it really hurts - in the wallet!

Director

Hugh Wilson

Cast

Goldie Hawn, Bette Midler, Diane Keaton

Curator Review

Verdict

A glossy, crowd-pleasing revenge comedy with a sharp premise, big star chemistry, and a satisfyingly cathartic feminist streak. It’s uneven in places, but the wit, pace, and iconic finale make it a strong watch for anyone in the mood for a mid-90s studio comedy with bite.

Best for

  • fans of ensemble comedies
  • viewers who like revenge fantasies with a light touch
  • audiences interested in women-led 90s comedies
  • people who enjoy glossy New York-set movies
  • fans of feel-good empowerment stories

Skip if

  • you want subtle or realistic divorce drama
  • you dislike broad studio comedy
  • you need tightly modern jokes and pacing
  • you prefer male-led buddy comedies
  • you’re looking for a serious legal or domestic thriller

Overview

The First Wives Club is pure wish-fulfillment with a polished studio sheen. It turns betrayal, aging, and social invisibility into a gleeful comeback story, and the three leads make the whole thing feel larger than life even when the script leans broad.

Worth noting

What gives it staying power is the chemistry: this is a movie built on star timing, shared outrage, and the pleasure of watching women reclaim the narrative. It’s funny, a little savage, and often more emotionally pointed than its feather-light surface suggests.

Bottom line

It’s not a perfectly balanced comedy, but it lands where it matters most: as a cathartic fantasy of solidarity, style, and payback. The ending alone has enough force to explain why it remains such a durable favorite.

Top Letterboxd reviews

Caris Rianne (3.5★) · 4054 likes

I can't wait for my first divorce

abby (3.5★) · 3788 likes

they should’ve killed their husbands but this will do

nick (5★) · 3340 likes

ivana trump saying "dont get mad, get everything" about her divorce to donald trump is THE most powerful line of dialogue to ever come out of cinema

Aimee McCague (4.5★) · 2751 likes

The end scene where they sing 'You Don't Own Me' was honestly a spiritual experience for me.

maya (5★) · 1990 likes

this has such a low rating wtf people really do hate women succeeding

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Themes

female friendship, divorce and betrayal, revenge fantasy, aging and invisibility, female empowerment, wealth and social status, New York social comedy, solidarity against patriarchy

Topics

female-led comedy, revenge, divorce, friendship, empowerment, 90s studio comedy, New York City, satire, feel-good, feminist

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