A devastatingly beautiful period drama about patriarchal control, ritual, and women forced into competition inside a sealed world. Its visual precision and emotional cruelty make it one of Zhang Yimou’s essential films.
Raise the Red Lantern
Where to watch: Buy
Movie · Drama
Wed · 2h 5m
Director: Zhang Yimou
Starring: Gong Li, He Saifei, Cao Cuifen
Overview
In 1920s China, 19-year-old Songlian becomes a concubine of a powerful lord and is forced to compete with his three wives for the privileges gained.
Director
Zhang Yimou
Cast
Gong Li, He Saifei, Cao Cuifen
Curator Review
Verdict
A devastatingly beautiful period drama about patriarchal control, ritual, and women forced into competition inside a sealed world. Its visual precision and emotional cruelty make it one of Zhang Yimou’s essential films.
Best for
viewers who like prestige dramas with strong visual design
fans of oppressive domestic power dynamics and psychological tension
people interested in feminist readings of historical settings
audiences drawn to slow-burn, atmospheric tragedy
Skip if
you want a warm or uplifting story
you prefer plot-driven thrillers over ritualized character drama
you are sensitive to bleak depictions of misogyny and coercion
you dislike formal, controlled filmmaking
Overview
Raise the Red Lantern is one of cinema’s most exacting portraits of power as ritual. Zhang Yimou turns a courtyard household into a system of surveillance, ceremony, and punishment, where every gesture is loaded and every color feels symbolic. The film’s visual beauty is not a cushion; it sharpens the cruelty of what’s being shown.
Worth noting
Gong Li gives Songlian a performance of mounting exhaustion and trapped intelligence, and the film’s emotional force comes from watching a young woman slowly learn the rules of a game designed to break her. The household’s customs are so rigid they become architecture, with status literally lit and extinguished by the lanterns.
Bottom line
What lingers most is the film’s clarity about how oppression reproduces itself through competition, envy, and obedience. It’s elegant, severe, and unforgettable: a tragedy that feels both historically specific and painfully universal.
Top Letterboxd reviews
Josh Lewis (5★) · 1698 likes
"Isn't that a woman's fate?""Our fate is the same" Misogyny, a custom so old and culturally ingrained it's in the damn architecture.
jing (4.5★) · 686 likes
Somber, tantalizing, and contemplative, Raise the Red Lantern is a thought-provoking and powerful portrait of a young woman who, after marrying a significantly older and wealthier man, finds herself confronted with the surreptitious conspiracies pervading the relationships between his three other wives—and soon, her relationships, too. What begins with a static, yet powerfully stirring closeup of our protagonist, Songlian, soon unfolds into a nearly bewitching picture of four women constantly pitting against each other only to win their husband’s affection for a… more
nick (4★) · 473 likes
Raise the Red Lantern is a mournful tribute to Chinese women of past generations, whose existence merely served in accordance to men's needs, or as the movie itself puts it, was "like dogs, cats, rats, but not people." In this daunting tale of jealousy, murders and lies, we follow Songlian, a college dropout forced by her stepmother to marry a rich old man who already has three wives in his labyrinthine, ritualistic household, as she juggles deflecting the malignant jealousy… more
{Todd} (4.5★) · 400 likes
"Please, I don't want to live that long" - Song Lian, This sexism is killing her inside. When young Song Lian becomes the fourth wife to a super old dude she learns all about the oppressive power of money and experiences the isolated position of women in a patriarchal economy. This movie is about women competing for a prize that is still shitty for them and that's part of what makes this film so interesting, that and the outstanding production… more
allain♡ · 383 likes
Bewilderment. A word that I think comes close to the sensation I felt after watching a film so breathtakingly gorgeous, but also incredibly intricate at the same time. The usage of the color red has never been this powerful, both in a literal and a metaphorical sense. It pulls you in by starting with a thought-provoking phrase that will resonate louder and louder as the film progressed. Let me be a concubine, isn’t that a woman’s fate. For so long,… more