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Igby Goes Down

A sharp, acidic coming-of-age dramedy about a privileged kid trying to outrun his family, his class, and his own self-destruction. It’s uneven in places, but the voice, performances, and bitter comic edge make it memorable.

Igby Goes Down

Where to watch: Buy

Movie · Comedy · Drama

Fri · 1h 37m

Director: Burr Steers

Starring: Kieran Culkin, Susan Sarandon, Jeff Goldblum

Overview

Igby Slocumb, a rebellious and sarcastic 17-year-old boy, is at war with the stifling world of old money privilege he was born into. With a schizophrenic father, a self-absorbed, distant mother, and a shark-like young Republican big brother, Igby figures there must be a better life out there -- and sets about finding it.

Director

Burr Steers

Cast

Kieran Culkin, Susan Sarandon, Jeff Goldblum

Curator Review

Verdict

A sharp, acidic coming-of-age dramedy about a privileged kid trying to outrun his family, his class, and his own self-destruction. It’s uneven in places, but the voice, performances, and bitter comic edge make it memorable.

Best for

  • fans of caustic coming-of-age stories
  • viewers drawn to wealthy-family dysfunction
  • people who like sarcastic, self-lacerating protagonists
  • audiences who enjoy early-2000s indie dramedy

Skip if

  • you want a warm or uplifting family story
  • you dislike privileged-elite satire
  • you prefer tightly plotted, emotionally restrained films
  • you’re not in the mood for a cynical, messy lead

Overview

Igby Goes Down is a bratty, wounded, and often very funny portrait of a teenager trying to escape the suffocating absurdity of his upper-class family. It has the snap of a smart indie comedy, but underneath the wit is a real sense of damage: bad parenting, emotional neglect, and the kind of privilege that feels more like a prison than a gift.

Worth noting

Kieran Culkin gives the movie its restless center, playing Igby as both insufferable and sympathetic, which is exactly the balance the film needs. The supporting cast helps sell the world of polished dysfunction, and the movie’s best passages land when it lets the character’s sarcasm turn into something more revealing and sad.

Bottom line

It’s not a perfect film, and some of its early-2000s indie mannerisms show, but it has a distinct voice and a strong streak of bitterness that still plays well. If you like your coming-of-age stories with bite, class anxiety, and a lead who seems determined to self-sabotage every exit route, this one is worth the trip.

Top Letterboxd reviews

amelia (4.5★) · 3376 likes

lady bird for girls who are psychosexually obsessed with roman roy

fátima (4★) · 2512 likes

kieran culkin if you see this i am free on thursday. if you want to hang out with me on thursday when i am free please respond and come over when i am free on thursday so we can hang out on thursday when i am free

emma (3.5★) · 2267 likes

need to trap kieran culkin in a cup like a bug

AlexaScheer (3★) · 1633 likes

It’s just home alone 2 but with sex and clinical depression

nora🐮 (4★) · 1598 likes

go little roman roy go

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Themes

coming-of-age, family dysfunction, upper-class privilege, class resentment, alienation, emotional neglect, rebellion, self-destruction

Topics

coming-of-age, dark comedy, dramedy, upper-class satire, family dysfunction, alienation, rebellion, early 2000s, cynical, indie

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