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Evita

A glossy, overstuffed musical biopic with real visual energy and a strong sense of spectacle, but its politics are muddled and the central performance divides viewers. It’s worth it if you want a big, stylized, emotionally heightened take on a controversial historical figure; less so if you want nuance or a fully… Read more

Evita

Where to watch: Buy

Movie · History · Drama

Sat · 2h 15m

Director: Alan Parker

Starring: Madonna, Antonio Banderas, Jonathan Pryce

Overview

The hit musical based on the life of Evita Duarte, an Argentinian actress who eventually became the wife of Argentinian president Juan Perón, and the most beloved and hated woman in Argentina.

Director

Alan Parker

Cast

Madonna, Antonio Banderas, Jonathan Pryce

Curator Review

Verdict

A glossy, overstuffed musical biopic with real visual energy and a strong sense of spectacle, but its politics are muddled and the central performance divides viewers. It’s worth it if you want a big, stylized, emotionally heightened take on a controversial historical figure; less so if you want nuance or a fully convincing dramatic portrait.

Best for

  • fans of lavish movie musicals
  • viewers interested in political rise-and-fall stories
  • people who enjoy stylized, high-camp historical drama
  • audiences open to imperfect but ambitious adaptations

Skip if

  • you want a sober, nuanced biopic
  • you dislike sung-through musicals
  • you’re put off by uneven lead performances
  • you prefer intimate character studies over spectacle

Overview

Evita is the kind of movie that arrives in a blaze of confidence and never really stops moving. Alan Parker turns the story into a feverish pageant of ambition, image-making, and national myth, with big production numbers that keep the film from feeling like a static stage transfer. It’s polished, propulsive, and often genuinely thrilling as cinema, even when it’s clearly more interested in momentum than in political clarity.

Worth noting

The film’s biggest problem is that it can’t quite decide how it feels about Eva Perón, or how deeply it wants to interrogate the machinery around her. The result is a portrait that feels both grand and oddly evasive. Madonna’s performance is a major point of contention, but the movie’s larger issue is tonal: it wants tragedy, satire, and hagiography at once, and those impulses don’t always mesh.

Bottom line

Still, there’s enough craft here to make it memorable. The editing is sharp, the musical staging is often inventive, and Antonio Banderas gives the film a charismatic, watchable counterpoint. If you’re in the mood for a flamboyant historical musical that values spectacle over restraint, Evita has enough force to justify the ride.

Top Letterboxd reviews

Arantza (2★) · 1218 likes

Madonna and Antonio Banderas, two well known Argentinians,

skimblebanks (2★) · 738 likes

madonna can't really act but at least her singing is also bad

Cameron Bertram (3★) · 455 likes

I wonder if Alan Parker was listening to the radio and "La Isla Bonita" came on and he was like "Yea, she'll do."

emmy klein (2★) · 406 likes

yes we CAN sing everything…. but MUST we?

Anna🍓 (5★) · 323 likes

Evita starring the wonderfully talented Rachel Zegler closed tonight at the London Palladium and instead of seeing that we had to sit in my living room and watch Madonna massacre the role

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Themes

political ambition, rise and fall, public image, national mythmaking, celebrity and power, historical drama, ambition versus morality, spectacle

Topics

musical, biopic, historical drama, political intrigue, camp, spectacle, ambition, 1990s cinema, melodrama, adaptation

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